Why I’m Bringing the Canon Powershot V1 on Safari (and How I’ll Use It)

I’m about to head back to Africa for two months of wildlife photography, filmmaking, and expedition work—and alongside my usual full-frame mirrorless setup, I’m packing something completely different: the Canon Powershot V1.

This isn’t my primary wildlife camera. It’s not even my secondary body. But for behind-the-scenes storytelling, quick vlogging, and capturing spontaneous moments during a fast-paced expedition across Botswana and Zambia, it might just become the most important camera in my bag.

Here’s exactly why I’m bringing it—and how I plan to use it during this multi-week safari adventure.

Why I Needed a Pocket-Sized Camera

On every wildlife trip, I aim to capture more than just the animals. I document behind-the-scenes footage, gear setups, roadside moments, and the daily rhythm of expedition life.

In the past, I relied on the Canon R5 or R5C to film these moments. While both produce cinematic footage, they’re heavy, setup-intensive, and often overkill for casual storytelling. Sometimes, by the time I pulled out a large camera, the moment had already passed.

This time, I needed something ultra-portable, fast, and simple—a camera that could live in my car’s door pocket or sling bag, ready at a second’s notice.

That’s where the Canon Powershot V1 comes in.

📚 If you’re curious how I pack and set up my full safari kit, check out: What’s In My Bag for 2 Months of Safari.

What Is the Canon Powershot V1?

Recently announced by Canon, the Powershot V1 is a compact, content-creator-focused camera designed for vloggers and filmmakers who want professional-level footage without the size and complexity of traditional setups.

Here’s why it caught my attention:

  • 16–50mm Equivalent Zoom Lens: Versatile for capturing wide scenes, car interiors, landscapes, and spontaneous moments.

  • Built-in Stereo Microphones: Excellent ambient audio quality without needing external mics for casual shooting.

  • Flip-Out Screen: Essential for framing yourself while vlogging or filming quick updates.

  • 4K Video with 4:2:2 10-bit C-Log 3: A huge advantage—this allows me to color match my V1 footage seamlessly with my professional Canon R5C and R5 cinema setups.

  • Built-In ND Filters: Extremely rare in a camera this size—perfect for controlling exposure during bright daytime filming without lugging external filters.

  • Internal Stabilization: Helps smooth handheld shooting or dashcam footage in rough conditions.

  • USB-C Charging: Ideal for travel; I can charge it in the vehicle while driving.

It’s not meant to replace a professional wildlife lens setup—but for documenting the experience, it might just be the most efficient tool I’ve ever carried.

📘 Want a deep dive into my field-tested safari gear choices? Read: The Complete Namibia Photo Guide.

How I Plan to Use the Powershot V1 on Safari

Here’s exactly how this camera fits into my workflow across two months in Botswana and Zambia:

  • Dashcam Recording: Mounted on my vehicle dashboard to document road journeys, off-road driving, and spontaneous roadside encounters.

  • Handheld Vlogging: Shooting daily field updates, campsite walkthroughs, meal setups, gear setups, and reflections at the end of long days.

  • Timelapse Capture: Setting up quick timelapses of sunrises over the Okavango Delta, sunset gear breakdowns, or even starry night skies from the campsites.

  • Quick BTS and B-Roll Shots: Filming casual camp life, spontaneous wildlife activity, or gear setup moments while my R5C and R3 focus on primary footage.

The beauty of the V1 lies in its ability to blend into the background of my day. I don’t have to stop what I’m doing to start filming—it’s always ready.

🎯 I will post a lot of BTS content on my YouTube Channel, make sure you subscribe not to miss it!

What I’ll Actually Be Filming

Expect a wide range of real-world storytelling coming from the Powershot V1:

  • Field Gear Setups: Practical tutorials showing how I build my safari rigs and organize photo/video gear in remote environments.

  • Camp Life: From coffee brewing at sunrise to setting up tents and preparing meals.

  • Candid Travel Moments: Encounters at local lodges, crossing river ferries, market visits, and spontaneous wildlife moments.

  • Wildlife Reactions: Capturing my real-time reactions when we bump into lions, elephants, or wild dogs without a long setup time.

  • Daily Recaps: Informal evening updates summarizing the day’s wildlife sightings, shooting conditions, and reflections.

This will allow viewers to experience the trip authentically, beyond the polished wildlife photos.

🗺️ Want a complete seasonal guide to planning your own African wildlife trip? Read: Best Time to Go on Safari.

What I’m Still Curious About

No piece of gear is perfect. Here’s what I’m eager to test once I’m deep in the field:

  • Stabilization Performance: Will the internal stabilization smooth out rough, bumpy off-road driving shots enough to be usable?

  • Battery Life: Will a pocket-sized body last through heavy shooting days without carrying half a dozen spares?

  • Color and Dynamic Range: Can this tiny sensor match the Canon R5C and R5 footage well enough for seamless editing across platforms?

Real-world testing will reveal whether the V1 can truly hold its own within a professional production pipeline.

📖 While we’re on the topic of testing gear under tough conditions, read how I travel internationally with big lenses without checking them in: Flying With Photo Gear.

A New Kind of Safari Camera?

The Canon Powershot V1 isn’t here to replace my primary bodies—but it fills a vital gap. It’s about spontaneity, speed, and storytelling.

In many ways, this camera represents a shift in how I think about travel content: low friction, ready anytime, and designed for connection, not just technical perfection.

If you’re a photographer, filmmaker, or travel content creator, there’s something powerful about having a “no-excuse” camera in your pocket—one that helps you capture the in-between moments that truly tell the story.

📘 Ready to up your wildlife photography game? Grab my free 100-page eBook packed with field-tested gear, travel, and shooting tips. Download it here.

🌍 And if you dream of joining me in Namibia or Botswana for hands-on photography workshops under the stars, check out my upcoming trips.

Featured Articles

What’s in My Camera Bag for 2 Months of Safari Filming and Photography

Planning a photography trip to Africa can feel overwhelming—especially when you're preparing for multiple weeks in remote locations with limited access to electricity, internet, or gear shops.

After years of refining my safari setup, I’m finally happy with my current packing system. In this post, I’ll walk you through the exact gear I’m bringing for a two-month expedition across Botswana and Zambia, including everything from camera bodies to power management, data backups, and the tiny accessories that save the day in the field.

Whether you're planning your first one-week safari or a multi-stop adventure across Southern Africa, this post will help you decide what’s worth bringing—and what you can safely leave behind.

📥 Before we dive in, make sure to grab my free wildlife photography eBook—it’s packed with practical gear advice, shooting tips, and field-tested techniques for your next trip.
👉 Download it here

My Camera System & Bag Setup

For this trip, I’m using the f-stop Tilopa backpack with an XL Pro ICU, which I’ve found to be the most airline-compliant way to carry big lenses and multiple bodies without checking them in.

My Main Camera Body Lineup for Safari and Adventure Filmmaking

When you're spending weeks in the field, facing everything from dusty deserts to humid forests, your camera setup needs to be more than just good—it needs to be flexible, reliable, and ready for anything. Here’s a deeper look at the core bodies I’m bringing on my upcoming trips, and how each one fits into my shooting strategy:

Canon R5 – My High-Resolution Workhorse

The Canon R5 remains one of the most versatile cameras I’ve ever used. It’s my go-to for high-resolution stills, offering 45 megapixels of sharp, detailed images without sacrificing autofocus speed or burst rate. Whether I’m photographing wide landscapes, intimate wildlife portraits, or environmental scenes that require cropping flexibility, the R5 handles it with ease.
It also excels at hybrid shooting—quickly switching from stills to 4K or even 8K video when needed. On safari, that ability to adapt to different storytelling needs on the fly is absolutely priceless.

Canon R3 – The Wildlife Action Specialist

When the action heats up—whether it’s a leopard sprinting across the plains or birds darting through golden light—the Canon R3 is the camera I grab first.
Its incredible autofocus tracking, ultra-fast frame rates, and low-light performance make it the ultimate body for fast-moving wildlife. It’s especially well-paired with my 600mm f/4 lens, giving me maximum reach while still being able to react instantly to the unexpected.
With the R3, I can track and capture split-second moments with a confidence that no other body in my kit quite matches.

Canon R5C – The Cinema Powerhouse

For true cinematic storytelling, I rely on the Canon R5C. This camera gives me the best of both worlds: the stills quality of the R5 combined with the video power of Canon’s Cinema EOS line.
It shoots full-frame 8K RAW, offers 10-bit C-log 3, and most importantly, doesn’t suffer from overheating issues during long recording sessions—something critical when filming wildlife behavior or behind-the-scenes content.
The R5C is my main body for professional wildlife filmmaking, slow-motion sequences, and BTS storytelling that needs high production value.

Canon Powershot V1 – My Everyday Vlogging Tool

This tiny but powerful camera fills a crucial gap in my kit. The Canon Powershot V1 is designed specifically for creators who need quick, spontaneous recording without sacrificing color fidelity or editing flexibility.
It shoots 4K 10-bit C-log 3, meaning it matches perfectly with the footage from my R5C. That’s a huge deal for a compact camera.
I’ll be using the V1 for handheld vlogging, dashboard driving stories, time-lapses, and casual BTS updates—giving me lightweight, ready-anytime access without pulling out my main bodies.
Its portability and ease of use are game-changers for creating daily content during long expeditions.

GoPro Hero 9 – Creative B-roll Machine

Mounted inside the vehicle or on lightweight arms, the GoPro Hero 9 gives me another layer of storytelling.
I use it primarily for dashcam recordings, driving sequences, and unique perspectives that would be impractical or risky for larger gear. Its stabilization, waterproof housing, and compact size allow me to capture immersive, adventurous footage even during rough drives or river crossings.
It's an essential part of the creative kit when I want to bring viewers deeper into the experience without worrying about damage or weight.

Why This Multi-Camera System Matters

Each of these camera bodies has a specific role to play—and together, they give me the ability to seamlessly capture anything that happens.
From wide scenic shots, to fast action bursts, to cinema-grade documentary sequences, I can cover all angles simultaneously, often with multiple cameras rolling at once.
This multi-body setup not only improves the variety and richness of the final content—it also ensures I’m ready for whatever surprises the wild throws at me.

If you want to see exactly how I use this gear on real African safaris, join me on one of my upcoming photography workshops—limited spots are still available for Botswana, Namibia, and Zambia tours.

My Wildlife Lens Kit for Safari Adventures

On a trip that spans multiple ecosystems, from open savannahs to dense woodlands, versatility and redundancy are absolutely key. Every lens in my kit has a very specific role, ensuring I can adapt quickly to different subjects, distances, and lighting conditions without missing a beat.
Here’s a closer look at the glass I’m relying on for this expedition:

Canon 15–35mm f/2.8 – For Storytelling and Scenic Impact

The Canon 15–35mm f/2.8 is my primary wide-angle lens, essential for capturing landscapes, night skies, and behind-the-scenes moments.
When the Milky Way rises over a campfire, or when I want to include dramatic skies and environmental elements around wildlife, this lens delivers stunning results.
Its fast aperture also makes it excellent for low-light situations, allowing me to shoot handheld at dawn or dusk without cranking the ISO too much.

Canon 24–70mm f/2.8 – The Storytelling Backbone

The 24–70mm f/2.8 is the ultimate storytelling lens. It's perfect for blending wildlife portraits with environmental context, giving a sense of scale and atmosphere that tighter lenses often miss.
When an elephant herd crosses the plains under golden light or lions rest beneath stormy skies, this lens allows me to frame both the subject and the stunning environment together.
It’s also a crucial tool for travel documentation, lodge photography, and casual moments during downtime in camp.

Canon 100–300mm f/2.8 – My New Go-To Action Lens

Replacing both my 70–200mm f/2.8 and the 100–500mm, the Canon 100–300mm f/2.8 has quickly become my workhorse for handheld action photography.
It offers the flexibility of a zoom with the speed and light-gathering power of a prime, making it ideal for dynamic wildlife encounters where subjects move fast and distances change constantly.
Mounted on the Canon R5, this lens will be my main tool for fast, spontaneous stills, and its compact size makes it perfect for long handheld sessions from the vehicle window.

Canon 600mm f/4 – The King of Wildlife Portraits

When it’s time for serious wildlife portraiture, the Canon 600mm f/4 remains unbeatable.
This lens delivers stunning background separation, incredible sharpness, and enough reach to photograph shy or distant animals without disturbing them.
I'll typically use it for static setups—beanbag-mounted shots of predators, birds, or distant mammals in open terrain—especially in places like South Luangwa or Etosha, where long-range opportunities are common.

Canon 100–500mm – Dedicated Video Zoom

While the 100–500mm used to be part of my stills kit, on this trip it’s taking on a new role: it will stay permanently mounted on the R5C for long-form wildlife video capture.
Its extended range allows me to frame wide environmental scenes or tight animal behavior shots without needing lens changes during critical moments.
At f/7.1 on the long end, it’s not the fastest lens, but for well-lit daytime filming, it's more than adequate—and the flexibility it offers is unbeatable.

Canon 1.4x Teleconverter – Smart Extra Reach

Finally, I’m bringing the Canon 1.4x Teleconverter, a small but powerful addition to the kit.
When paired with the 100–300mm f/2.8, it turns into a 140–420mm f/4, still razor-sharp and fast enough for action. When attached to the 600mm, it creates an 840mm f/5.6 setup, perfect for smaller subjects or distant wildlife scenes, particularly useful in open environments like the Central Kalahari or Etosha’s vast pans.

Tripods & Support Gear for a Safari Photography Expedition

Capturing sharp, cinematic wildlife footage—and even tack-sharp stills in challenging light—requires much more than just good camera technique. Stable support gear is essential, especially when working from vehicles, in windy open environments, or when filming long, smooth sequences.
Here’s the full support system I’m relying on for this safari adventure:

Fluid Head Video Tripod – My Foundation for Cinematic Wildlife Filming

For high-quality wildlife video, a fluid head tripod is non-negotiable.
I’m bringing along my trusted Manfrotto 755B tripod, paired with a Manfrotto 501 fluid head.
Even though this setup is a bit older, it remains incredibly reliable and delivers exactly what’s needed: smooth, controlled panning and stable lock-offs during long filming sessions.
The 501 head allows for consistent drag when tracking moving animals like lions or elephants across open terrain, creating that cinematic feel that handheld shooting simply can’t replicate.
It’s sturdy enough to handle heavier setups like my Canon R5C with the 100–500mm lens, even when fully zoomed in.

Lightweight Travel Tripod – Compact Stability for Stills and General Use

For photography-specific work and general support, I’m bringing my Manfrotto 190CXPRO4—a lightweight carbon fiber tripod that offers the perfect balance between portability and stability.
This tripod comes into play when shooting landscapes, night photography (like Milky Way shots in Namibia), or low-light wildlife scenes where slower shutter speeds demand rock-solid support.
Thanks to its compact size and relatively light weight, it easily fits into my checked luggage or straps neatly onto the side of my camera backpack.
And with the center column that can flip horizontally, it’s also great for creative low-angle compositions.

Gorillapod – The Ultimate Tool for Quick Setups and Creative Angles

Rounding out my support kit is the trusty Joby Gorillapod.
This flexible mini-tripod is a game-changer for on-the-fly setups—perfect for mounting cameras on dashboards for dashcam footage, wrapping around branches or railings for creative vlogging angles, or setting up quick timelapses and roadside b-roll without hauling out a full tripod.
It’s light, packable, and incredibly versatile—a small tool that punches way above its weight.

Together, this trio covers everything I need:

  • Smooth cinematic pans for professional-looking wildlife footage

  • Stable long exposures and low-light stills

  • Flexible creative options when documenting behind-the-scenes moments

  • Lightweight, manageable setups that won’t bog me down in the field

All three pieces fit efficiently into my checked luggage or are integrated into my vehicle setup once I’m on location.
This careful balance between stability and portability means I’m always ready—whether I’m filming from a moving 4x4, shooting dramatic landscapes, or quickly capturing a spontaneous wildlife encounter.

Audio, Filters & Must-Have Accessories

When you’re filming professional wildlife content—or even just documenting your own adventures—good visuals are only half the story.
Clean, immersive audio and creative control over light are what really take your work to the next level.
Here’s the essential kit I’m bringing to make sure every piece of content sounds great, looks polished, and survives the rough realities of safari life:

Audio Setup – Capturing Clean, Professional Sound in the Field

Even the most beautiful footage feels amateur without strong audio, so I'm building redundancy into my setup:

🎤 Rode VideoMic NTG – Directional Shotgun Mic for Natural Soundscapes

Mounted directly on the camera, the Rode VideoMic NTG is my go-to directional microphone.
It picks up clear, isolated audio from the subject while rejecting ambient noise from the sides and rear—perfect for recording commentary, vehicle sounds, or distant wildlife calls without capturing too much wind or background chatter.
Its compact size and USB-C recharging capability make it ideal for fieldwork where weight and charging logistics matter.

🎙️ Rode Wireless Pro – Lavalier System for Interviews and Mobile Vlogging

The Rode Wireless Pro system is essential when I want freedom of movement without losing audio quality—whether it's capturing interviews at lodges, gear talks in the field, or mobile BTS vlogging during drives.
It’s ultra-compact, has great range, and records internally as a backup—a lifesaver if the wireless signal gets sketchy in remote areas.

🛡️ Backup Shotgun Mic – Redundancy Is Key

Gear fails—it’s just a fact when you’re deep in the bush, hours from the nearest camera store.
That’s why I always pack a backup shotgun mic. It adds minimal weight but provides peace of mind, ensuring that I can always record clean sound even if my primary mic encounters problems.

Filters – Managing Harsh Light and Boosting Creative Control

Shooting in Africa often means dealing with intense, harsh light. Filters are essential tools to stay in control of exposure and color:

🛡️ ND Filters – Essential for Proper Exposure in Bright Conditions

I bring neutral density (ND) filters to cut light without affecting color, allowing me to shoot at slower shutter speeds or wider apertures even in midday sun.
They are critical for maintaining cinematic motion blur in video and for controlling depth of field creatively.

🌀 Polarizer – Cutting Glare and Enhancing Skies

A circular polarizer helps reduce glare on water, wet surfaces, and animal fur, while also deepening blue skies and enhancing contrast.
It’s a simple but powerful tool for making safari scenes pop without heavy post-processing.

Must-Have Field Accessories – Keeping Gear Running Smoothly

The boring but absolutely essential category: the stuff that keeps the entire production going smoothly day after day in remote locations.

🔋 10+ Spare Batteries (Canon R5 & R5C) + 2x R3 Batteries

When you’re shooting long days, capturing early morning light, midday wildlife, sunset scenes, and nighttime BTS footage, battery life becomes mission-critical.
I pack more than 10 spare LP-E6NH batteries (for the R5 and R5C) and at least two LP-E19 batteries (for the R3) to avoid ever running out of power mid-shoot.

⚡ Dual and USB-C Chargers – Fast, Flexible Recharging

Keeping batteries topped up while traveling between lodges or charging off a solar setup means I need multiple chargers, including USB-C options that plug into portable power banks or in-car outlets.

🧽 Cleaning Tools – Protecting Sensors and Lenses

  • Blower for removing dust and debris from sensors and lenses

  • Sensor wipes for careful on-site sensor cleaning when needed

  • Microfiber cloths for wiping lenses without scratching Daily cleaning routines prevent frustrating problems like sensor spots or soft images caused by dirt.

🛠️ Gaffer Tape and Cable Ties – Ultimate Field Repair Kit

Whether it's securing loose dashcams, fixing gear to a vehicle, or temporarily patching tripods and bags, gaffer tape and cable ties are absolute lifesavers.
I always carry a few rolls tucked into every gear bag.

Backup Strategy & Power Management

When you're traveling deep into remote wilderness—days away from reliable electricity—protecting your databecomes just as important as capturing it.
Wildlife photography trips are often once-in-a-lifetime experiences, and losing footage or photos simply isn’t an option. That’s why I build serious redundancy into my backup system:

📂 Backup Workflow – How I Keep My Files Safe in the Wild

🎞️ Multiple SD and CFexpress Cards – Room to Shoot Freely

I carry enough SD and CFexpress cards to shoot for several days without having to format or overwrite anything.
This approach means I can work with confidence during intense days in the field—even if unexpected sightings or creative bursts fill my cards faster than planned.

💾 Two 4TB SSD Drives – Fast Daily Backups

Each evening, I back up all new footage and photos to two identical 4TB SSDs.
SSD drives are not only shockproof and durable (important when you're bouncing around on rough roads), but they also allow for fast transfers—saving precious time when you're exhausted after a long day out.

🖥️ Two 5TB HDD Drives – Long-Term Storage & Extra Redundancy

In addition to my SSD backups, I maintain a third backup copy on 5TB rugged hard drives.
While slower and bulkier than SSDs, these drives are perfect for archival storage, ensuring that even if something happens to the faster drives, the data is still safe.

⚡ Power Management – Staying Charged Off-Grid

🔋 Goal Zero Sherpa 100 – Versatile, High-Capacity Power Bank

When you're away from lodges or grid power for days at a time, a strong power solution is non-negotiable.
The Goal Zero Sherpa 100 lets me recharge cameras, laptops, batteries, and phones multiple times.
It has USB-C PD outputs (essential for fast charging modern devices) and AC ports for added flexibility.

☀️ Small Foldable Solar Panel – Infinite Recharging Option

For extended periods in remote campsites, I bring a compact, foldable solar panel.
When paired with the Sherpa, it gives me an essential renewable energy source to keep the mission alive—especially important on longer trips into the Central Kalahari, Savuti, or South Luangwa.

🔄 Why This Backup Routine Matters

Backing up every evening has become a non-negotiable habit for me—it’s part of the rhythm of the trip, just like charging batteries and cleaning gear.
Three separate copies of every file (cards, SSD, HDD) gives me total peace of mind, knowing that no technical issue, theft, or accident will erase the irreplaceable images and footage collected in the field.

🎯 Want to learn how to build your own bulletproof field workflow?
👉 Join one of my upcoming wildlife photography workshops where I’ll teach you not just how to shoot better—but how to safeguard your hard-earned files like a pro.

Daily Vehicle & Field Kit

When you're on a safari, you can't afford to be rummaging through bags when an opportunity appears—or worse, realizing you forgot something essential back at camp.
That’s why I always keep a compact, carefully thought-out field kit within immediate reach.

🧰 Key Items Always Within Arm’s Reach

🛠️ Multitool or Knife – The Unsung Hero

A solid multitool or knife is invaluable for quick fixes—whether it’s tightening a tripod screw, adjusting a dashcam mount, cutting cable ties, or even helping with small vehicle or gear repairs.
It’s amazing how often it saves the day.

🔦 Headlamp – Essential for Pre-Dawn and Night Shoots

A good headlamp is a total must for early morning drives, camp setups, or nighttime photography.
I always use one with a red-light mode to preserve night vision, making it easier to see without disturbing animals or wrecking my own eyes' adjustment to darkness.

📓 Notebook & Pen – Capturing Creative Sparks

Despite the digital age, I never leave camp without a small notebook and pen.
I use it for sighting logs, story ideas, shot lists, or just capturing fleeting creative thoughts that pop up while spending hours in the field.

🧵 Velcro Strips & Straps – Field Multi-Tool

Velcro strips and cable straps are among the most underrated items in my kit.
They’re endlessly useful for securing dashcams, organizing cables, mounting microphones, or even keeping lens caps handy.
They weigh almost nothing, take no space, and solve countless problems on the fly.

🧳 How It All Fits

All of these essentials stay packed in a secondary shoulder bag or small daypack that I keep by my side inside the safari vehicle at all times.
This means I’m ready for anything—whether it's a sudden downpour, a flat tire, an impromptu roadside shooting opportunity, or just needing to jot down a new creative idea without missing the moment.


This might sound like a lot of gear—and it is—but when you're shooting professionally over several weeks in extreme conditions, it’s better to have exactly what you need than to scramble last-minute in the field.

Everything I’ve listed here is battle-tested. It’s designed to support stills, video, BTS content, data safety, and smooth workflows while moving between camps and locations in Botswana and Zambia.

If you're planning your own trip soon—whether it's your first or your fiftieth—hopefully this guide gave you some clarity.

🎒 Don’t forget to download my free wildlife photography eBook—it’ll help you choose the right gear, prep for the field, and start shooting smarter on your next adventure.

Featured Articles

When to Go on Safari: A Wildlife Photographer’s Guide to the Best Safari Seasons

Planning a safari isn’t just about where you go—it’s about when. The timing of your trip will completely shape your wildlife encounters, photography conditions, and even your level of comfort in the bush.

I’m writing this as I prepare for an incredible journey through Central Kalahari Game Reserve (CKGR), Khwai and Savuti in northern Botswana, and South Luangwa National Park in Zambia. Each destination was picked with the season in mind—not just for weather or sightings, but for the specific kinds of shots I’m hoping to bring home.

If you’re a wildlife photographer (or planning your first safari), understanding safari seasons will help you choose the perfect time to go.

Rainy season in Okonjima Nature Reserve, Namibia

What Are Safari Seasons?

Let’s start with the basics. Safaris in Africa don’t follow spring/summer/fall calendars. Instead, they track the rhythms of rainfall and dryness, which directly impact wildlife behavior and vegetation.

Most of Southern and East Africa operates on two main safari seasons:

  • Dry Season: Usually May to October

  • Green (Wet) Season: Typically November to April

These aren’t hard cutoffs, but they do influence what kind of safari experience you’ll have—from visibility to sightings, lighting, and landscape conditions.

The Dry Season: Best for Classic Safari Photography

The dry season is the go-to time for many photographers—and for good reason.

  • Water is scarce, so wildlife congregates at rivers and waterholes.

  • The bush thins out, making animals easier to spot and photograph.

  • Animals become more predictable in their movements.

  • There's less mud and fewer bugs (always a win).

If you’re dreaming of sharp silhouettes, lions in golden light, elephants kicking up dust—it’s all here. The conditions are clean, the backgrounds uncluttered, and the animals active. This is the best season for high-probability sightings, especially if you’re new to safari photography.

Dry season in Etosha NP, Namibia

The Green Season: Dramatic, Lush, and Underrated

Then there’s the green season, sometimes called the wet season. It gets a bad rap, but for creatives and seasoned shooters, it’s a goldmine.

  • Verdant landscapes create stunning compositions.

  • Dramatic skies—think thunderclouds, soft evening light, and atmospheric scenes.

  • It’s birthing season, which means adorable newborns and heightened predator action.

  • Migratory birds return—perfect for bird photographers.

  • Fewer tourists, lower rates, and quieter parks.

There are trade-offs: thicker vegetation makes it harder to spot animals, roads can get muddy, and some camps close due to flooding. But if you’re patient and looking for unique, intimate moments—this season can truly reward you.

Dramatic skies during a rainy season sunset

Why I’m Traveling Now: My Seasonal Safari Strategy

Here’s how I planned my current trip across three iconic parks, based entirely on seasonality:

📍 Central Kalahari Game Reserve (Botswana)

I’m going at the tail end of the green season—just as the landscape is still lush but predator sightings peak. Big cats are on the move, skies are dramatic, and the crowds are nonexistent.

📍 Khwai & Savuti (Northern Botswana)

For these wetter regions, I chose May - the early dry season. This gives me drying terrain, increasing sightings near water, and vegetation that still holds some softness and color.

📍 South Luangwa National Park (Zambia)

June is a sweet spot. The park is transitioning into the dry season, so water sources are shrinking and animals are easier to find—but it’s still early enough to avoid peak tourist season.

👉 Want to follow my journey in real time? I’m sharing daily Stories from the field on Instagram with gear tips, wildlife moments, and behind-the-scenes updates. And I’ll be releasing vlogs and tutorials soon from this trip—don’t miss them.

Late dry season in South Luangwa NP, Zambia

Best Times for Iconic Safari Destinations

Choosing the right time to visit Africa’s top wildlife destinations can make the difference between a good trip—and an absolutely unforgettable one. Here’s when (and why) you should plan your safari—and if you want to experience it firsthand with expert guidance, I lead safari workshops that are planned around the seasons to provide the best possible experience.

🇧🇼 Botswana

Central Kalahari Game Reserve, Kgalagadi Transfrontier Park: December–May

The Green Season transforms the arid Kalahari into a lush, living desert. Seasonal rains bring dramatic skies, short grass plains, and an explosion of life—this is prime time for witnessing predator activity such as lions and cheetahs hunting in open landscapes. It’s raw, remote, and truly wild.

Khwai, Savuti, Chobe, and Moremi: May–October

During the Dry Season, Botswana’s northern regions offer classic safari experiences. As water sources shrink, animals concentrate along river systems and waterholes, making sightings both more frequent and more dramatic. Expect excellent predator-prey interaction, large herds of elephants, and picture-perfect golden light.

📍 I’ll be leading a dedicated safari to the Kgalagadi Transfrontier Park in early May, right at the transition between lush landscapes and drying plains—a perfect window for predators, big skies, and raw storytelling opportunities.
👉 Explore the Kgalagadi safari here.

🇿🇲 Zambia

South Luangwa National Park & Lower Zambezi: June–October

Zambia’s premier parks hit their stride in the heart of the dry season. As the bush thins out and water becomes scarce, predator density skyrockets. South Luangwa, in particular, is famed for incredible leopard sightings, thriving wild dog packs, and atmospheric riverbank photography.

📍 Join me in late September for a specially timed trip to South Luangwa—an epic period when the Luangwa River pulls in huge concentrations of wildlife and the soft, dusty light creates perfect conditions for storytelling photography.
👉 View full South Luangwa trip details.

🇳🇦 Namibia

Etosha National Park: July–October

As the dry season progresses, Etosha’s waterholes become magnet-like gathering points for animals. Towering elephants, rhinos, lions, and countless antelope converge in dusty, cinematic scenes. It’s an extraordinary opportunity for high-drama, high-density photography, with stark backdrops and powerful light.

Namib Desert & Damaraland: Year-round, but June–September are ideal

While these regions are photogenic year-round, winter months bring cooler temperatures, crystal-clear skies, and incredible side lighting—perfect for photographing Namibia’s iconic desert-adapted wildlife and surreal landscapes.

📍 Every year I’m leading two distinct Namibia adventures:

  • A full Namibia photography tour in the second half of May, covering desert landscapes, wildlife, astrophotography and cultural highlights.

  • A focused wildlife-specific expedition in early October, designed around waterhole photography, elusive desert predators and exclusive photography hides.

👉 See the full Namibia safari itineraries here.

🇰🇪 Kenya & 🇹🇿 Tanzania

January–February: Calving season in Ndutu, Tanzania, combined with clear skies and active predators make this one of the most dynamic times for wildlife photography.

July–October: The Great Migration peaks, with river crossings in Kenya’s Masai Mara and excellent predator action across the Serengeti.

November & March: Shoulder seasons offer fewer crowds, lush green landscapes, and unique photographic opportunities with more intimate sightings.

Mount Kenya at sunrise

Ready to Turn Your Dream Safari into Reality?

If these destinations and timings got you dreaming, why not turn those dreams into real-world images? My upcoming trips are designed specifically for photographers who want guided access, small group experiences, and hands-on support to capture the best possible shots.

👉 See all upcoming safaris and reserve your spot here.

Spots are limited, and many of these trips are already generating early interest, so don’t wait too long to start planning your ultimate photography adventure!

There’s no perfect time for everyone—only the best time for your specific vision. Want stark, powerful portraits? Go dry. Prefer emotion, drama, or baby animals? Green season is calling.

Whether you're planning your first safari or your tenth, let the seasons guide your choices. Your camera—and your future self—will thank you.

Featured Articles

How I Travel With Big Lenses (Without Checking a Single Camera)

Traveling with large camera gear can be one of the most stressful parts of any wildlife photography trip. Between strict airline weight limits, the risk of theft, and the impossibility of insuring checked luggage properly, it's easy to lose sleep the night before a flight—especially when you're carrying gear worth more than your vehicle.

Over the years, I’ve refined a system that lets me bring everything I need—600mm f/4 included—onto the plane with me, without ever having to check a single piece of expensive equipment. If you’re planning your first safari, remote expedition, or long wildlife adventure, I hope this post saves you a major headache at the airport.

📘 Before we dive in—if you’re planning a wildlife trip and want a full breakdown of gear, travel strategy, and in-field techniques, grab my free 100-page wildlife photography eBook.

Why Flying With Photo Gear Is Such a Headache

Airlines rarely design their policies with wildlife photographers in mind. If you’ve ever tried to pack multiple bodies, long telephotos, and a laptop into a single "carry-on" under 8kg, you know what I mean.

Years ago, I used to check my gear—big mistake. Especially on routes through Johannesburg, Cape Town, or Addis Ababa, where lost bags and theft are way too common. After hearing one too many horror stories from other photographers, I stopped risking it.

Now, everything expensive stays with me in the cabin. Here’s how I make it work.

My Exact Travel Setup for Wildlife Trips

The backbone of my setup is the f-stop Tilopa backpack, paired with their XL ICU (Internal Camera Unit). It’s the largest photography backpack that still meets airline carry-on size limits. Even on smaller regional jets, I’ve never been forced to check it.

Here’s what I typically fit inside:

  • Canon R3 and R5 camera bodies

  • Canon 600mm f/4 (barrel detached and fitted outside the backpack)

  • Canon RF 100–500mm and 70–200mm f/2.8

  • Teleconverters, spare batteries, SSDs

  • Laptop and power banks

Alongside that, I bring a personal item. My go-to options are:

What Happens If the Airline Flags You?

Let’s be honest—this setup is rarely within official airline weight limits. Airlines like Lufthansa or Emirates have stopped me before. Here’s my step-by-step strategy:

  1. Show up early at check-in and boarding. You’re less likely to face a full overhead bin or panicked gate agents.

  2. Distribute your weight wisely. Place the heaviest gear (like lenses and cameras) in your "personal item," which is rarely weighed.

  3. Leave the non-essentials. Chargers, cleaning kits, cables—they go in your checked luggage.

If a gate agent challenges you, stay calm and explain clearly. Let them know your bag contains professional photography gear that is fragile, high value, and not insurable in checked luggage. If needed, open the bag and show them. I’ve done this many times, and I’ve always been allowed to board with my gear.

Essential Tips for Flying With Big Photo Gear

For your first big wildlife trip, here are three hard-earned lessons that will save you stress:

  • ✅ Never check your most valuable gear. It’s safer (and cheaper) to carry it all onboard.

  • ✅ Avoid rolling camera bags. Backpacks attract far less scrutiny at the gate.

  • ✅ Be respectful—but firm. Airline staff will usually help if you calmly explain your needs.

🎬 Curious about optimizing your camera setup for fast-paced wildlife moments? Check out my video on how I set my autofocus for wildlife—another game-changer when every second counts!

Flying with big lenses doesn’t have to be a nightmare. With the right backpack, a dialed-in system, and a calm mindset at check-in, you can safely travel the world with all your precious gear in tow.

Have your own tip or war story from flying with camera gear? I’d love to hear it—drop a comment or shoot me a message.

🎁 Don’t forget to grab my free wildlife photography eBook—it’s packed with insights for field shooting, gear, and travel.
👉 Click here to download it

Featured Articles

2025 Guide to Etosha National Park Photography

Etosha National Park is one of the most iconic safari destinations in Africa—and for good reason. Its vast white salt pan, scattered acacia trees, and floodlit waterholes set the stage for some of the most dramatic and consistent wildlife photography anywhere on the continent. Whether you're hoping to capture dust-kicking elephants, backlit black rhinos, or lion prides in the dry grass, Etosha offers an ideal mix of accessibility, wildlife density, and visual drama.

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Best Time to Visit Africa for Photography

Choosing the best time to visit Africa for safari photography is one of the most important decisions when planning a photo trip. With its vast landscapes, varied ecosystems, and dynamic wildlife movements, Africa offers exceptional photographic opportunities year-round—but not all months are created equal. Timing impacts everything from light conditions to animal behavior, vegetation cover, and travel logistics. This guide will help you navigate the differences between seasons and regions, understand key wildlife events, and plan an itinerary that matches your photographic goals.

Dry vs. Wet Season: Understanding the Basics

Africa’s safari destinations generally fall into two main seasonal categories: the dry season and the wet (or green) season. Each has distinct advantages and challenges for photography.

Dry Season (typically May–October)

  • Wildlife visibility is at its peak. Water becomes scarce, concentrating animals around rivers, waterholes, and pans—creating consistent photographic opportunities.

  • Vegetation thins out, improving visibility and making it easier to track and photograph wildlife from a distance.

  • Clear skies and golden light dominate, especially in the mornings and late afternoons—ideal for dramatic backlighting and clean subject isolation.

  • Roads and trails are dry and easier to navigate, reducing travel complications.

Wet Season (typically November–April)

  • Lush landscapes make for vibrant, moody backgrounds—excellent for wide compositions and storytelling shots.

  • Birdlife is at its best, with migratory species in breeding plumage and increased activity around water bodies.

  • Many species enter breeding or calving seasons, leading to unique behavior, new life, and predator-prey interaction.

  • Rain showers can lead to dramatic skies, mist, and cloud formations, creating rich atmosphere for landscape and wildlife shots alike.

Month-by-Month Guide Across Regions

To make the most of your safari photography, it’s essential to consider both timing and location. Here’s a month-by-month breakdown of key regions and what photographers can expect:

January to March

  • Central Kalahari Game Reserve (Botswana): The wet season transforms the desert into a blooming savanna. Plains game like oryx, springbok, and hartebeest are plentiful, and big cats are highly active, using the thick grasses for cover.

  • South Luangwa (Zambia): The emerald season begins. Lush vegetation and flooded lagoons create mirror-like reflections, while elephants, hippos, and birdlife dominate the scene. Most places, however, are unreachable due to flooded roads.

  • Ngorongoro Crater & Southern Serengeti (Tanzania): Calving season for wildebeest attracts predators like lions and hyenas. Cloud cover offers diffused light, great for soft, low-contrast portraits.

April to June

  • Khwai & Moremi (Botswana): Early dry season brings clearer skies and optimal game viewing without the crowds. Ideal for leopard tracking and elephant herds crossing the Khwai River.

  • Ruaha & Selous (Tanzania): Fewer tourists, and wildlife becomes more concentrated as seasonal rivers begin to dry.

  • Etosha (Namibia): Shoulder season begins in May. Wildlife begins congregating near waterholes, offering dramatic interactions between prey and predators.

July to September

  • Masai Mara (Kenya): Peak of the Great Migration. Expect dramatic river crossings, dust clouds, and intense predator action. Also, large gatherings of photographers—planning ahead is essential.

  • South Luangwa (Zambia): This is prime time for leopards and lions. Dry riverbeds and orange skies make for classic African safari frames.

  • Mana Pools (Zimbabwe): Elephants standing on their hind legs to reach trees—a unique behavioral photo opportunity.

October to December

  • Chobe & Savuti (Botswana): Late dry season heat draws huge herds to remaining water sources. Excellent for elephant photography, lion dynamics, and dramatic dust light.

  • Khwai: High predator concentration continues. Expect golden light, low vegetation, and clean backgrounds.

  • Namibia’s Skeleton Coast & Sossusvlei: The contrast of wildlife against stark, arid desert backdrops is at its best. Think desert-adapted elephants, oryx on dunes, and lone giraffes under glowing skies.

Photographic Highlights by Season

Each season offers something unique for photographers:

  • Calving & birthing seasons: January–March in Serengeti (Tanzania) and Kruger National Park (South Africa)

  • Predator activity peaks: mostly in August–October in Etosha NP, South Luangwa NP, Lower Zambezi NP (dry season)

  • Bird migrations: November–February in Botswana, Zambia, Northern Namibia and Kenya

  • Elephant behavior: Best in dry season months (July–October), especially in Chobe, South Luangwa, and Tarangire

  • Big cat tracking: Stronger in Khwai (year-round), Mara (July–Sept), and South Luangwa (June–October)

Sample Itineraries Based on Season

Here’s a look at some of the real-world itineraries from my guided wildlife photography workshops, designed to align with peak conditions for photography and wildlife activity:

March – Patagonia Puma Tracking
Track wild pumas in the dramatic landscapes of southern Chile. This trip focuses on low-angle stalking shots, golden backlight opportunities, and minimalist compositions in open terrain.

May – Kalahari Safari Adventure (CKGR & Beyond)
A deep dive into Botswana’s Central Kalahari Game Reserve. Expect big cats, dramatic desert light, and the feeling of true wilderness—far from the crowds.

May – Iconic Namibia
From the dunes of Sossusvlei to the wildlife-rich pans of Etosha, this itinerary is built for diversity: landscapes, desert elephants, and classic big game.

September – South Luangwa (Zambia)
Leopard central. This trip takes place during the dry season, when wildlife congregates around the Luangwa River. Incredible for predator action, dust, and light.

October – Wild Namibia
This itinerary explores Damaraland, Etosha, and beyond—perfect for backlit elephants, dramatic skies, and a mix of arid and savanna ecosystems.


Final Tips for Choosing When to Go

  • Define your style: Do you prefer storytelling scenes, clean portraits, or intimate behavior? Let that guide your timing.

  • Understand trade-offs: Wet season offers mood and action; dry season gives you clarity, access, and consistency.

  • Factor in travel style: Self-drive safaris (e.g., Namibia or Botswana) are easier during dry months due to road conditions.

  • Use location-specific knowledge: Some parks are excellent year-round, like Khwai, while others—like CKGR—are best only during a short window.

📚 Need help deciding which safari fits your style? Download the free Wildlife Photography eBook for a deeper breakdown of gear, planning, and field techniques.

Ready to Experience These Seasons for Yourself?

If you’re serious about building a powerful wildlife photography portfolio—and doing it in a small group led by professionals who understand the light, the timing, and the animals—consider joining one of my upcoming workshops.

We photograph in the best locations at the best times, with itineraries built around real field experience. From the Kalahari to South Luangwa and Namibia’s deserts, every trip is crafted for photographers who want results.

Photographer's Guide to Sossusvlei: Capturing Namibia's Iconic Landscapes

Nestled within Namibia's Namib-Naukluft National Park, Sossuslvei is a haven for landscape photographers. Its towering red dunes (the tallest and oldest in the world), stark white clay pans, and ancient camelthorn trees offer a surreal canvas for capturing nature's artistry. Over the years I’ve been visiting Sossusvlei multiple times and those incredible views never fail to amaze me. However there are a few things I learned over time that I wish I had known earlier. Drawing from my experiences and insights from fellow photographers, here's a comprehensive guide to making the most of your photographic journey in this mesmerizing desert landscape.​

1. Secure Accommodation Inside the Park

To truly capitalize on the enchanting light of dawn and dusk, it's imperative to stay within the park's confines. In fact, Sossusvlei operates with two main gates:​

  • Outer Gate: Opens at sunrise and closes at sunset, restricting access during prime photography hours.​

  • Inner Gate: Opens one hour before sunrise and closes one hour after sunset, granting photographers the coveted golden hours.​

If you consider that from Sesriem you still have to drive 40 to 60 km to reach your shooting location (plus 7km on sand and 20 mins walking for Deadvlei) it’s clear that the outer gate timing won’t allow you to capture the beautiful golden hour on the dunes. For this reason is paramount to get accommodation inside of the park, past the outer gate.

Accommodations like the Sossus Dune Lodge, Sesriem NWR Campsite, and Oshana Camp are situated inside the inner gate. Staying here ensures you're on location when the light is at its best. Given their popularity, it's advisable to book well in advance - and I mean, WELL in advance. Accommodation inside the park is limited and might fill up very soon. I’d suggest you to book at least 6 months before your visit to secure your access.

2. Plan Your Shoots Around Optimal Lighting

The desert's lighting transforms dramatically throughout the day:​

  • Sunrise: Soft, golden hues illuminate the dunes, creating long shadows and enhancing textures.​

  • Midday: Harsh light can wash out colors and reduce contrast, making it less ideal for photography.​

  • Sunset: Warm tones return, casting a magical glow over the landscape.​

Prioritize shooting during the early morning and late afternoon to harness these favorable conditions. Midday can be reserved for rest, scouting locations, or capturing abstract shots that play with the intense sunlight.​

My go-to daily schedule in Sossusvlei includes waking up very early, having a quick coffee and packing up so that we can be at the gat at least 10 minutes before opening. This will allow me to be amongst the first car to drive into the park. At sunrise I usually go towards Deadvlei, shooting for about 2 hours till the light becomes too harsh and the main tourists start coming in from the outer gate. I will then leave and drive back to Sesriem for a good brunch and some hours of rest in the shade before heading back at mid afternoon, usually around dune 45 or dune 39, to find my spot for the sunset session.

3. Equip Yourself with Essential Gear

The unique environment of Sossusvlei demands specific equipment:​

  • Lenses: you can use anything from super wide to super telephoto, but expect to be shooting more in the mid telephoto range. The landscape is very empty and vast and the telephoto helps compressing elements, making for interesting, minimal compositions.​

  • Tripod: Essential for stability during low-light conditions and for precise compositions. While you can always shoot wide open, if you are going for stylized, minimalist landscapes my advice is to stop down to f8 or f11, especially on telephotos, so that all the lines in your frame are sharp and crisp.

  • Filters: I rarely use polarizers but Sossusvlei is one of the exceptions. The dunes are reflecting an incredible amount of light and using a polarizer will improve dramatically the contrast in your image.​

  • Cleaning Kit: Dust and sand are unavoidable here, and it’s paramount to bring some camera cleaning tools. Expect to be cleaning your gear multiple times a day, and try to avoid changing lenses out in the dunes to prevent dust to reach your camera’s sensor.​

4. Explore Iconic and Lesser-Known Locations

Sossusvlei offers a plethora of photographic opportunities:​

  • Deadvlei: This clay pan, adorned with centuries-old dead camelthorn trees set against white sands and encircled by red dunes, provides a stark and captivating contrast. Photo opportunities are endless, but it might also be quite challenging. It’s the furthest location you can access in Sossusvlei: form the inner gate in Sesriem you must drive the 60km tar road to the end, then you switch on your 4x4 and drive about 7km on sand. Once you reach the parking area you still have to walk approx 20 min over a small dune to access it.

  • Dune 45: Easily accessible and famed for its elegant shape, this 80-meter-high dune is often dubbed "the most photographed dune in the world." The number indicates the distance from the gate, meaning that we will have to drive 45km back to Sesriem. This is a go-to spot for sunset sessions, as we can stay till the sun is set before driving back.

  • Big Daddy: Standing approximately 325 meters tall, it's one of the highest dunes in the area and offers panoramic views for those who undertake the climb. You can do it after a sunrise session in Deadvlei, but remember to bring with you a lot of water - it gets crazy hot out there!

  • Hiddenvlei: A more secluded spot, it’s a good option for photographers that don’t want to deal with the crowds in Deadvlei. ​

5. Respect the Fragile Ecosystem

The beauty of Sossusvlei comes with a responsibility to preserve its delicate environment:​

  • Stay on Designated Paths: Avoid creating new trails that can lead to erosion.​

  • Avoid Touching Ancient Trees: The dead camelthorn trees in Deadvlei are estimated to be around 900 years old; avoid touching or, worst, sitting on them. ​

  • Carry Out All Waste: Ensure no litter is left behind, maintaining the pristine nature of the desert.​

  • Stay within the speed limits: The limit inside the park is 60km/h. If you are ready at the gate at opening time, there’s no need to speed. Also avoid staying too late in the park and then speed to get out in time. There’s plenty of orix running around when is dark and it’s very likely to end in a car accident when driving at night.

  • Do not use drones: Drones are not allowed in the park. Unless you apply for a permit trough the park service, avoid using them or you can get a very high fine. ​ ​

Photographing Sossusvlei is a transformative experience, offering scenes that seem otherworldly. By planning meticulously, respecting the environment, and embracing the unique challenges of desert photography, you'll capture images that resonate with the timeless beauty of Namibia's iconic dunes.​

Join Our Photography Workshops

If you're eager to explore Sossusvlei and other breathtaking landscapes with guided expertise, consider joining one of my photography workshops.

We offer tailored experiences that cater to various skill levels, ensuring you leave with both stunning images and enriched knowledge.

For more infos and inspiration about Sossusvlei check out this video guide:

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Wildlife Photography Workshops: Best Locations to Elevate Your Skills in 2025

Discover the best locations for wildlife photography workshops in 2024! From the vast savannas of Africa to the icy landscapes of the Arctic, find top destinations to refine your skills, capture stunning wildlife shots, and learn from expert photographers.

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